All episodes

Podcasting Oral history in the Kitchen

Podcasting Oral history in the Kitchen

33m 53s

In the last episode of this season, Adriana Raczykowski is in conversation with Polish artist and curator Patrycja Rozwora, who founded the Kitchen Conversations Podcast. Patrycja talks about her podcast practice and Eastern European and Central Asian narration in the arts.

Centering Eastern Peripheries

Centering Eastern Peripheries

31m 27s

Mala Herba and dogheadsurigeri from the Oramics collective meet with Adriana Raczykowski to talk about the politics of the dance floor and sonic spaces curation. Guided by the motto “Your periphery is our center”, they address Western hegemony in contemporary electronic subcultures.

From Private to Public: Entering the Polish Drag Scene (in Polish)

From Private to Public: Entering the Polish Drag Scene (in Polish)

25m 34s

In this episode in Polish language, Adriana Raczykowski is in conversation with Lulla La Polaca, who is widely recognised as the oldest Drag Queen of Poland. She traces back her roots as a performer in times of PPR, and talks about musical inspirations, the importance of friendship and community, and her hopes and wishes for younger generations of drag artists in Poland today.

Portraits of Queer Joy

Portraits of Queer Joy

26m 25s

Season 4 of Sonic Interventions (episodes 14-17) takes listeners to Poland, and is guest-curated by Adriana Raczykowski. She is in conversation with Polish artistists, activists and curators who intervene into society through curation, drag performance, visual arts, and podcasting. This episode features 100Lesb.com, a portrait cycle of one hundred Polish lesbians and non-binary people in Warsaw. Our guest host is in conversation with co-curators Ola Kamińka and Wojtek Zrałek-Kossakowski. They touch upon reclaiming representation and queer resourcefulness as forms of intervention.

From Ethnographic Colonialism to Sound Collages

From Ethnographic Colonialism to Sound Collages

29m 17s

This conversation with Zara Julius concludes our third podcast season dedicated to South African sound art and cultures. The artist shares thoughts on and samples from her exhibition “Whatever You Throw At The Sea” (Weltmuseum Vienna, Austria), and critically reflects on (post)colonial structures in museums and archives in relation to her artistic research.

Song and Gender in Zulu Cultures

Song and Gender in Zulu Cultures

32m 59s

In this episode recorded at the University of Pretoria, Prof. Nompumelelo Zondi, gives insights into her book on women’s song in rural Zulu culture. She presents an understanding of song as a medium of resistance and resilience, and uses her own voice to share examples.

Invoking South African Histories

Invoking South African Histories

28m 28s

This episode features cellist, composer, and scholar Dr. Thokozani Mhlambi, who talks about the role of radio, music traditions as cultural archives, and baroque cello in the context of South Africa. He discusses and shares excerpts of his “Zulu Song Cycle” and the production “Hail to the King” about Dingane kaSenzangakhona.

Contemporary Vibrations of Xhosa Traditions

Contemporary Vibrations of Xhosa Traditions

33m 51s

Our third season centers South African Sound Cultures and is curated by our main host Dr. Layla Zami. In this episode, she is in conversation with multi-instrumentalist and composer Sky Dladla. Dladla speaks of her love for Indigenous Xhosa instruments, the intersection of traditional and contemporary performance culture, and her collaboration with artists such as Zolani Mahola. Recorded at Blueprint Studios in Johannesburg.

Resounding Rhythms

Resounding Rhythms

23m 8s

Season 2 closes with a conversation between Victoria Pham and Emma Lo. Victoria Pham introduces us to the many intersections of her work as an evolutionary biologist and artist. The conversation focuses on rhythm and listening in Pham’s research and practices, and Pham's and James Nguyen's open source project RE:SOUNDING.

Voice Machines

Voice Machines

22m 21s

This episode features Rully Shabara, an experimental vocalist based in Yogyakarta, Indonesia. Emma Lo talks with him about Xhabarabot Voice Machines, an ongoing project in which Shabara engineers interactive instruments from his own vocal samples. They discuss issues of consent in sampling, appropriation and self-exploitation, and open source technologies.

Season 3 starts this February for Black History Month 2024

Enjoy listening to South African artists, scholars, and sounds!